Interview 由 Paul O'Donnell
Hilarie 伯顿 is only a little older than 22-year-old Peyton Sawyer, her character on the teen drama "One 树 Hill," but in conversation, 伯顿 speaks with a wisdom, and a vision for her future, that would be a credit to someone much older—those she still calls "grownups." Chalk it up to her early start in show-business—at an age when most kids are watching the clock in Calculus, 伯顿 was already a VJ on MTV. 或者 to running your own film production company while starring in films like the Christian thriller "The List," just out on DVD, and the upcoming screen version of Sue Monk Kidd's "Secret Life of Bees." 伯顿 herself might say her taking the long view has to do with her Southern upbringing, and her belief in God.
For someone with a big role on a hit TV series, "The List" might be called an unusual project. What convinced 你 to sign onto a Christian indie film?
Partly I wanted to play Jo Johnston for my 粉丝 who know me from "One 树 Hill." My character on the 显示 does some things I would not recommend. So it was nice to play someone closer to who I am. And for me, it was important because, growing up, 你 never saw Christian ladies in 电影院 或者 on TV. Even today, when 你 read Christian stories 或者 你 watch Christian movies, the characters don't talk like normal people. They don't use slang. They're very formal. It was great to play a contemporary Christian and have her not be a geek. It's almost taboo. Playing a Christian woman is so much weirder than playing a drug addict 或者 a friendly prostitute 或者 any of those things.
Did 你 know that it was a Christian film when 你 read for it?
I did. I grew up in the United Methodist Church, and church was always a very big part of my growing up. After leaving my hometown, it became very hard to find a--I don't want to say a religious community, but a spiritual community. It wasn't until I worked on this film that I really met like-minded people. And to find a group of people who were working within the business, and also playing 由 their own rules and very successfully, it was very inspiring for me. Gary [Wheeler, director of "The List"] inspired me to start my own production company down here in Wilmington, which we call Southern Gothic, and we've already started on our first project, a dark comedy that's very human, along the lines of "Little Miss Sunshine" 或者 "Juno," about a young guy who gets cancer.
Do 你 feel like it's easier to be open about having a life of faith in show-business?
Well, it's easier for me because I live and work in Wilmington, N.C., in a very family-oriented film community. That's not to say that, if I went out to Hollywood, I'd be bashful about my convictions. I've always been very vocal about my religion. It's a big part of who I am. I remember being told that part of your job as a Christian is testifying to that. 你 could be Christian all 你 want, but if 你 hide out in your room and keep it a secret, what good does that do God? I mean, it's a hard path to figure out, because 你 don't want to throw it in peoples' face. But I want the kids who watch "One 树 Hill" to know that it's all pretend, and that the person at the core of that character values morals, honor and things like that. 你 want to inspire them to look beyond what is superficial and try to find that greater thing.
The South—its uniqueness and traditions—play a big part in "The List." And it seems to be a theme with you. 你 were raised in Virginia—was it that kind of old South milieu?
I'm from northern Virginia, but I grew up 下一个 to the West Virginia border, so it was hills and farmland. We had that sense of adventure 你 get from growing up around old farmhouses and lazy, rolling hills, 你 know? That's something that translates into "The List," that 爱情 of what's ancient. It's funny, though: I was the southern kid on the set, but my character was the only one that wasn't from the South.
The South is often portrayed as 更多 或者 less cloaked in evil, and "The List" is no exception.
It's not evil so much as unexplainable. Throughout the centuries, whatever is unexplainable has been looked at as evil. And I think that exists in the film. That's the journey for the lead character, Rennie: trying to tell what's evil versus what he just can't figure out. There's been a lot of heartache in this area, whether it's the Civil War 或者 slavery 或者 even the Revolutionary War. Our huge, century-old trees have just soaked up the blood of people who died so we could live the life we want to live. That kind of permeates the environment. It's what makes the South an interesting place to create art.
The bad guys in the movie seem to represent Southern tradition, maybe of a particularly outdated kind. But 你 think the South's traditions in general are still important?
I think that tradition is important whether you're from the Caribbean 或者 Alabama 或者 the North 或者 wherever. But I think it's our responsibility to make sure tradition doesn't exclude other people 或者 hurt other people, that certain celebrations aren't celebrating something that's painful. We have to keep our ancestors' traditions alive, but we also need to make sure it's something we believe in.
"The List" deals a lot with the power of prayer, but the praying is aimed at some pretty typical Hollywood-style 邪恶力量 powers. Do 你 worry that the Christian message may get diluted in this kind of tale? I mean, 耶稣 didn't come here to fight zombies.
A film is always going to make some people ill at ease because it's never going to 100 percent match their experience. It's always going to leave people wondering, "Is my experience of God wrong?" 或者 saying "That couldn't happen." Certain groups don't believe in speaking in tongues, and others do it all the time. I've had mystic experiences that have led me closer to God. Really beautiful, personal things that have happened. So, I am never one to say that, "Oh, that's impossible." There's an element of mysticism in "The List" like that. But I do think it helps tell a story. And ultimately, that's what filmmaking is about.
Have 你 ever had an experience where something came out of prayer?
你 know, the Holy Spirit finds 你 when you're at your most vulnerable--when 你 let your guard down. I was supposed to be going to FedEx the other day. I've been praying over and over and over again about my path, trying to figure out what I should do. My little mantra was, Just tell me what to do. I found myself taking the really, really long way to get to FedEx. It was 6:00 at night. Everything was pretty closed down. But my 最喜爱的 little bookstore happened to be open. So I went inside and there was an older gentleman playing the fiddle, and 下一个 thing I knew they were having a reading. I've been working on this novel for years and years, and I haven't been finishing it. And I'd stumbled on this community of artists, just sharing. And I realized, okay, this is what I want.
So being a TV 星, 星级 isn't the end of the road, then? You're 写作 a novel and producing films—anything else?
When 你 爱情 creating, it really doesn't matter what the medium is. I 爱情 telling stories as Peyton Sawyer on "One 树 Hill." And I 爱情 my writing. And Southern 哥特式 is really exciting thing to work on. And it allows me the opportunity to tell the kind of stories that I want to tell and to be my own boss, which is very hard when you're a little blonde girl in this industry.
