It sounds like a cliché, but to an entire generation this album has become a yardstick 由 which to measure all others. Why the hyperbole? Because the strength of Ziggy lies in its completeness. Not a track is out of place, in fact not a NOTE is out of place, and at just over 38 分钟 it is (and this has been scientifically proven, boys and girls) the perfect length. Every R&B and Hip Hop artist in the universe take note. So, does it still stand up after 30 years? Is it a major strand in rock's rich tapestry, with its gender bending bravado and melodramatic sweep; 或者 just an ephemeral piece of fluff about a bisexual pop 星, 星级 living through the apocalyptic countdown?
With its so-called classic status written in stone, a perverse logic makes 你 want to reassess the album in a negative light. It can't be as good as all that can it? But remember, there's a reason why all those bands have dined out on this sonic template (step 前锋, 期待 Suede, Supergrass and countless others). Within two short years Bowie had transformed himself from fey folk wannabe into a glam icon, via a brief flirtation with heavy metal. In doing this, lest we forget, he forged the template for the truly modern pop 星, 星级 that has yet to be broken. How this was achieved had a lot to do with two factors.
One was his adoption of three lads from Hull as his backing band, renaming them the Spiders From Mars and thus making the wild Les Paul stylings of guitarist Mick Ronson an essential element of his sound. The 秒 was young David''s choice of producer. Most people associate Tony Visconti (the man who gave Bolan his glam sheen and who had played on and produced the aforementioned metal album The Man Who Sold The World) with this period. It was, in fact, with his 前一个 album Hunky Dory that DB found the perfect studio partner for this phase in his mercurial career. The pairing of Bowie with Ken Scott at Trident studios allowed him to finally nail a simple format of guitar, bass, drums and 钢琴 into the place where the New York nihilism of the Velvet Underground met a quintessentially English way with a tune and a vocal. Ziggy represents the peak of their achievement.
Having perfected the format Bowie took his greatest leap 前锋, 期待 由 taking a cycle of songs and moulding it into a loose story of the nominal Ziggy and his Christ-like rise and fall at the hands of adoring fans. It allowed Bowie to take the central role onstage, hiding behind a mask of glamorous decadence that some would say hes yet to renounce. The songs weren't bad either. The part sci fi, part demi-monde narrative unfolds via the sophisticated use of shifting perspectives, beginning with "Five Years" and its tale of despairing humanity at the brink of destruction. Ziggy is observed through the eyes of one besotted 粉丝 who, following the star's death, takes their own life in the thrilling climax of "Rock 'n' Roll Suicide". From piano-led sumptuousness ("Lady Stardust") to plain old dirty riffage ("Suffragette City") Dave was on a creative roll that would catapult him to the heights of success but ultimately lead him to destroy the Frankenstein's monster that had him and his audience confusing 幻想 and reality.
So here it is, with the obligatory 秒 disc featuring early versions 由 fake band Arnold Corns, demos, outtakes that most bands would kill to have as prime material (including "Velvet Goldmine": yes, the film was named after it), b-sides and one of Bowie's greatest singles, "John I'm Only Dancing". It's a worthy treatment of such an aural treasure and one can only hope that generations to come will come to 爱情 it as much as their peers. Ultimately, what Ziggy really represents is an artist who was in the right place, with the right people and the right songs at the right time. The future held plenty 更多 surprises; but for millions this will always be the place where the world's most famous Martian truly fell to earth.