华特·迪士尼角色 Club
加入
Fanpop
New Post
Explore Fanpop
 The regal Mufasa, 给 life 由 the booming voice of James Earl Jones.
The regal Mufasa, given life by the booming voice of James Earl Jones.
The Encyclopedia of Walt Disney's Animated Characters: From Mickey 老鼠, 鼠标 to Hercules
John Grant

Walt 迪士尼 Character 描述 of Mufasa from "The Lion King" (1994)

With his great 橙子, 橙色 mane and his powerful physique, the first of the movie's two Lion Kings, Simba's father appears much as we might expect him to, and he is voiced appropriately in the deep tones of James Earl Jones. In a way, after the initial scene where Rafiki is presenting the new cub to the massed animals, we see Mufasa only from the viewpoint of the young Simba; he is not so much large as huge, and we have the feeling that he is the ruler not just of the Pride Lands but of the world. This feeling is reinforced 由 a selection of dialogue in which Mufasa tries to give his young son some idea of the responsibilities of kingship:

Mufasa: Look, Simba. Everything the light touches is our kingdom,
Simba: Wow.
Mufasa: A king's time as ruler rises and falls like the sun. One day, Simba, the sun will set on my time here and will rise with 你 as the new king.
Simba: And this will all be mine?
Mufasa: Everything.
Simba: Everything the light touches.

"Everything the light touches" would seem to imply the entire world, but immediately we are informed 由 Mufasa that all kingdoms have their boundaries:

Simba: What about that shadowy place?
Mufasa: That's beyond our borders. 你 must never go there, Simba.
Simba: But I thought a king can do whatever he wants.
Mufasa: Oh, there's 更多 to being king than getting your way all the time.
Simba: There's more?
Mufasa: Simba, everything 你 see exists together in a delicate balance. As king, 你 need to understand that balance, and respect all the creatures, from the crawling ant to the leaping antelope.

Thus are set out the three major themes of the movie. First, obviously, that with power comes duty: kingship is not something that can merely be enjoyed as a privilege but carries a burden of responsibility with it. Second, that any monarchy is confined to its own proper region. And, third, that there is a "circle of life" to which all of the 动物 belong, from those (like the lions) who are at the 最佳, 返回页首 of the 食物 chain to the humblest of creatures. Mufasa expands:

Simba: But, Dad, don't we eat the antelope?
Mufasa: Yes, Simba, but let me explain. When we die, our bodies become the 草 and the 羚羊 eat the grass. And so we are all connected in the great 圈, 圈子 of life.

This is a point that is hammered 首页 on several occasions throughout the movie, although 迪士尼 may have received the occasional letter from an angry antelope.
There is another moral lesson that Mufasa teaches Simba - although it will be a long time later, and only after the intervention of Nala and Rafiki, before the lesson makes itself heard. Mufasa has just rescued the two cubs, Simba and Nala, from the hyenas in the 象, 大象 Graveyard and has led Simba away for a strict paternal talking to:

Mufasa: 你 deliberately disobeyed me. And, what's worse, 你 put Nala in danger.
Simba: I was just trying to be 《勇敢传说》 like you.
Mufasa: I'm only 《勇敢传说》 when I have to be. Simba, being 《勇敢传说》 doesn't mean 你 go looking for trouble.
Simba: But you're not scared of anything.
Mufasa: I was today.
Simba: 你 were?
Mufasa: Yes. I though I might lose you.
Simba: Oh. I guess even kings gets scared, huh?

Just before this sequence, which becomes one that shows Mufasa is not as straitlaced as his customary majesterial bearing might suggest - rather than continuing to be severe with the cub he ends up romping around with him in a mock fight - there is one particularly effective visual. Simba, following in the trail of his father and expecting Real Trouble, puts his own paw into one of Mufasa's pawprints. The difference in size is spectacular. What is conveyed to us is not just the obvious physical disparity but that Simba, who has earlier been cheerfully boasting about his inheritance, has a long way to go yet before he learns to be a true heir.
But after the play there is 更多 somberness. Mufasa has something to teach his son, and it is the greatest piece of mythmaking in the movie's screenplay. This has been taught to Mufasa 由 his father (and, it is implied, has been passed down over many generations): the great Lion Kings of the past "look down on us" from the stars in the night sky.
In terms of straightforward action, Mufasa's peak is his rescuing of the young Simba from a herd of stampeding wildebeest, followed immediately afterward 由 his own murder at the paws of Scar, but there is a much 更多 significant episode later on. Rafiki, having uncovered the grown Simba in the country beyond the Pride Lands, is trying to persuade him that it is his obligation to take up his kingship. The 狒狒 tells the younger lion that his father is still alive, and makes him look into still water 由 way of demonstration: Mufasa is still alive in that he lives on in Simba. Simba rejects the moral, but then - in a twisted form of scenes in Shakespeare's Hamlet - is visited 由 an apparition of his father.

Mufasa: Simba.
Simba: Father?
Mufasa: Simba, 你 have forgotten me.
Simba: No. How could I?
Mufasa: 你 have forgotten who 你 are, and so forgotten me. Look inside yourself, Simba. 你 are 更多 than what 你 have become. 你 must take your place in the 圈, 圈子 of life.
Simba: How can I go back? I'm not who I used to be.
Mufasa: Remember who 你 are. 你 are my son and the one true king. Remember who 你 are...

The short sequence packs a punch, and it is only on the way 首页 from the 电影院 that one begins to think that if Simba is no longer worthy of kingship, why is he "the one true king"?
 Mufasa, spending some great quality time with his young son, Simba.
Mufasa, spending some great quality time with his young son, Simba.
 Tough, crass and jaded, Ursula is trying to find a way to get back from King Triton the power that once was hers.
Tough, crass and jaded, Ursula is trying to find a way to get back from King Triton the power that once was hers.
While the 动画片 department was busily trying to complete Oliver & Company 由 the imminent deadline, Ron Clements and John Musker, the two directors of The Great 老鼠, 鼠标 Detective were working on an adaptation of Hans Christian Andersen's beloved story "The Little Mermaid." There had been astounding growth in every branch of the department from computer-generated 图片 to the finest character animation. There was also a villain in this new picture that would take her place alongside the greatest villains the studio had ever created. In the 民意调查 that showed Cruella De Vil as the most...
continue reading...
added by PrueFever
Source: moonchildinthesky @ DeviantArt
added by PrueFever
Source: 谷歌 图片
added by PrueFever
Source: The Walt 迪士尼 Company
added by PrueFever
Source: http://www.cdcovers.cc/view/16818/front/beauty-and-the-beast-special-edition
added by PrueFever
Source: The Walt 迪士尼 Company
added by PrueFever
Source: The Walt 迪士尼 Company
added by PrueFever
Source: The Walt 迪士尼 Company
added by PrueFever
Source: The Walt 迪士尼 Company
added by PrueFever
Source: The Walt 迪士尼 Company
added by PrueFever
Source: The Walt 迪士尼 Company
added by PrueFever
Source: Aladdin: Diamond Edition Blu-Ray
added by mohammedma
Source: 迪士尼 junior ديزني جونيور
added by mohammedma
Source: 迪士尼 Junior ديزني جونيور
added by mohammedma
Source: 迪士尼 Junior ديزني جونيور
added by mohammedma
Source: 迪士尼 junior ديزني جونيور
added by mohammedma
Source: 迪士尼 junior logo ديزني جونيورشعار
added by mohammedma
Source: 迪士尼 Junior Logo ديزني جونيورشعار
added by mohammedma
Source: 迪士尼 Junior Logo ديزني جونيورشعار
added by mohammedma
Source: 迪士尼 junior logo ديزني جونيورشعار