The quartet of Bill and Tom Kaulitz, Georg Listing, Gustav Schafer and can only, on average, 20 years, but they have been playing 音乐 all over Germany for the better part of a decade and have found global stardom the release of her first English album Scream. Now armed with their fifth studio album Humanoid, Tokio Hotel has its sights set on nothing less than total domination of pop.
Really, the choice of album 标题 has a set of young people who have spent most of his youth playing in a sea of faces changing scenarios and have been persecuted all over the city for rabid 粉丝 - a a group of youths who can not walk through a mall, 或者 standing on the sidewalk without being recognized. 阅读 the song titles as "Human To Human Connect ',' Humanoid ', and' World Behind My 墙 'reveals a desire, a need most, the union with other people - rather, because of its high profile, only Bill Kaulitz made to a limited extent. He stresses, "Humanoid was always a feeling that Tom and I were in our childhood ... we felt a little humanoids - as a fourth planet aliens 或者 something, and we still feel that way sometimes."
What is a humanoid, really? Something that looks and seems human, but actually resembles a human, is a condition that is applied mainly to robots, but as a human who wants to feel human but can not? This 问题 is masked behind the teen angst in the lyrics of Kaulitz: "How I can 加入 you?" This is really a valid 问题 to ask him. In the whole band, only Georg has a link, while the rest are singles. As Tom says, "Once 你 choose this life, let forgotten everything." For them, there is nothing 更多 than Tokio Hotel. No 秒 plan, no side draft, no return.
But at the same time, Tokio Hotel have created what could be the archetype of teen pop will look like for years to come - a hint of sexuality, one third of soul, a pinch of drama of relationships, and packed with choirs classified sand with a slight sheen automelodía. It is also 更多 ambitious than the moody Scream, a vastness like U2 songs like 'World Behind My Wall'. "We wanted to have a larger sound like a soundtrack to our lives," Bill says the new record.
There is a different point of Tokio Hotel humanity however, evident as they laugh about their largest export country (Rammstein) and how they make fun of guitarist Georg over their alleged worship of the idol and former Baywatch 星, 星级 David Hasselhoff as he pats his face in despair about what should be a joke often repeated. And it is this humanity that they bring to the stage later that night, thoroughly enjoying the adulation of the crowd screams. As Bill promises that they will return one day, it is clear that they are in it for long. As Tom says, "For us to do everything we planned to do, it would take another 30 to 40 years." What they have in mind for this humanoid existence however, is the 问题 on 最佳, 返回页首 of languages around the world.
Tokio Hotel TMConnects Showcase
Through the monsoon makes sense for these fans.
May 1, 2010 @ Central Park Avenue, 1 Utama, Petaling Jaya
Tokio Hotel. A name hated, mocked, loved and worshiped at the same time. While many critics dismissed the effeminate looks and the voice of Bill Kaulitz leader and twentysomething-friendly approach Tokio Hotel in the lyrics of their songs, for the 500 粉丝 who were standing strong (and several hundreds 更多 stood outside), Tokyo Hotel played a 显示 that was tight, powerful and involved.
Most of these strong 粉丝 started queuing at 9.30am in the hope of getting the best view of the band, a time of 日 when the sun had just risen high and beat worthwhile. To make matters worse, as night fell, sporadic rains began to fall at 1 Utama Shopping Mall, where the window would be carried out. Yet, they persevered and the doors opened to the sounds of Pop Shuvit, people who got promoted with his brand of rap-rock. Even something was not quite as guitarist JD began to tune his 吉他 in the middle of the song ... with the 吉他 still echoing from the speakers! Ending the single 'Marabahaya', Pop Shuvit made way for Bunkface, who were fresh from releasing their new album, Phobia Phoney.
Then finally ran a heartbeat on the monitors while the crowd went wild for the emergence of Bill and Tom Kaulitz, Gustav Schafer and Georg Listing. Since the battery perfectly sharp beats, guitars and 低音 collected, Bill appeared on stage with his Mohican haircut stood proudly on the wet night in Malaysia. The pounding 由 an assortment of old and new songs, including singles 'World Behind My Walls', 'Automatic', 'Ready Set Go', 'Human To Human Connect' and 'Pain of Love', Tokio Hotel were impeccable delivery, yet crisp and clear. But the highlight of the night belonged to Bill, who brought his arsenal of gestures of arena size and female tenor to great effect. In fact, several girls were heard proclaiming fainting when Bill looked at them.
Closing the night with an emotionally charged performance with 'Monsoon' Tokio Hotel definitely lived up to expectations - this is 音乐 that every twenties can identify with her lyrics that give their fists something like a bomb for teenagers, and as they promised a quick tour, hope in the eyes of the 粉丝 说 it all. Come rain, the sun rises, they will be there again, waiting.
the end
