ENTERTAINMENT WEEKLY: My dad told me to tell 你 that 你 have big kids among your 粉丝 too. He wants to know if there will be another Tres Navarre novel.
RICK RIORDAN: [Laughs] 你 know it’s not anywhere in the near future because the kids 图书 are keeping me so busy. I 爱情 [the Tres Navarre series], so not anytime soon, but never say never.
Why did 你 turn to children’s literature? What drew 你 to it?
Well, I was a middle-school teacher for many years. My students knew me as a storyteller. I would do mythology tales in the class and they would always say, “Mr. Riordan, 你 should be a writer.” I would always put them off and say, “No, no, I already write for adults.” It took me a while to figure out my students were right. It really is the audience I know best. What really triggered it for me was when my older son Haley was having trouble in school. The Percy Jackson story was something I told him as a bedtime story. That’s where the series came from.
What’s the difference between 写作 for kids and 写作 for adults? Is there a difference?
Most of the tool kit is the same. Kids, if anything, are harder to write for because they are a 更多 discerning audience. They will not stay with 你 if 你 go off on a tangent 或者 if 你 give them extraneous information that doesn’t serve the story. 你 really have to tell a tight story. 你 have to give them humor and suspense and believable characters. All those things that adults want too, but 你 have to be really on your game when you’re 写作 for kids.
How does The 超能英雄 of Olympus compare to the Percy Jackson series?
The main change there was that I decided to do a Roman take on classical mythology and play with the idea, “What if there were two camps — a Greek camp and a Roman camp?” The interaction between those two branches of classical mythology is really at 心 of The 超能英雄 of Olympus. It is nice to explore that world from multiple perspectives and really get inside the head of seven main characters rather than just Percy. It let me reinvent my own world, which kept me interested and hopefully kept the readers interested too.
What was it like to switch into third-person narration, particularly for a character you’d written from the first perspective before?
It was a tricky thing to do. I was worried about it, but after I got into it, I found that I could maintain [Percy's] voice, but just do it as a third person narration. It worked out fine.
Can 你 talk a bit about the mythology behind The 超能英雄 of Olympus series? 你 unite Roman and Greek mythology in an interesting way…
My biggest challenge was keeping all the names straight for the reader. I have to say the kids seem to have no trouble with that at all. It’s usually the adults who I lose. The kids are in the zone. They know this stuff and I have to really keep on 最佳, 返回页首 of this because if I do make a mistake 或者 make a reference that’s wrong, they’ll catch me. They’re very perceptive about everything mythology.
The Mark of Athena is where we’ll see the stories of The 迷失 Hero and The Son of Neptune come together. Was it hard to keep track of everyone?
The scope of the book is huge. My biggest challenge is to take all the different strands, all the things I’ve set up, and merge them into one huge stage. That was the biggest challenge, but I have to say it was also the biggest treat. Some of the relationships that came out of the book, I was not at all expecting. I just hadn’t really considered all the different permutations. I’m really pleased with how it came out.
What can 你 tell us about The Mark of Athena?
The difference with The Mark of Athena — other than just the fact that it’s got all of the characters together — is that it’s truly Annabeth’s story. This is a character that we’ve known since The Lightning Thief, but we’ve never been inside her head before. The Mark of Athena is really her story. There’s a lot going on, but at the 心 it’s about Annabeth figuring out what her stirrings are, what her mother Athena needs from her, and how she can come to terms with her destiny.
I’ve read that 你 use your wife and kids as sounding boards. What’s that process like exactly?
My wife has been my best editor since I started 写作 图书 with the adult mysteries back in 1997. She doesn’t pull any punches. I really appreciate that I have someone to be very honest with me. My kids are very much the same way. Haley is sort of aging out of my target ages — he’s 18 now — but he is an incredible editor. Patrick, my younger son, is 14, and he’s just a fabulous copy editor. We had to put him on the payroll.
He makes his allowance from copy-editing?
It started as a joke. I had copy-edited The Son of Neptune and the copy editor at 迪士尼 had and my editor had, so three professional people in the 写作 business had looked at it already. [Patrick] said, “Well, if I look at it for mistakes, will 你 pay me 10 dollars a mistake?” I sort of laughed and said, “Yeah sure.” I figured there were not going to be any in there. He found 40 mistakes that all three of us had missed. The kid’s going to put himself through college being a copy editor. [Laughs]
My introduction to your 图书 came when my mother bought The Lightning Thief out of sheer desperation to get my brother to read something. I feel like your 图书 are a good choice for children who may be reluctant readers. Why do 你 think that is?
That’s great to hear. Every time I hear that, I feel validated. My older son, he was a reluctant reader. I was a reluctant reader as a kid. I worked in the classroom with tons of reluctant readers and they are the ones that I was always trying to reach. Anybody can reach the kid in the front row who’s the A-plus student who reads anyway. 你 really earn your keep as a teacher if 你 can reach the kid who’s trying to hide in the back row and never found a book that he 或者 she really enjoys and reads for pleasure. If 你 can find something that really engages that kid then you’ve done your job.
What 建议 do 你 have for parents with children who are reluctant to read?
First, model reading. If the adults in the family are too busy to read, the kids are going to feel the same way. So it’s really important [for the kids] to see their parents reading. The 秒 thing is just to provide a quiet time during the evening 或者 sometime that the kids can read. It doesn’t really matter what they’re 阅读 as long as the expectation is there that this is the time that we’re going to set aside to let 阅读 happen. [Finally], listen to your kid about what their interests are and let them have an active role in picking what it is that they’re going to read.
A Different Interview...
What was your 最喜爱的 book as a child?
Fletcher and Zenobia, 由 Edward Gorey. Out of print now, but a wonderful mixture of fantasy, '60s psychedelia, and Gorey's macabre sense of humor.
Is there a book you've read over and over again?[b/]
The Lord of the Rings is the series that turned me into a reader and got me interested in 幻想 and mythology. I've probably read it 14 或者 15 times.
[b]Who's the fictional character 你 most identify with?
Of my own characters, Grover the Satyr. In a battle, I would not be in the front line with a sword like Percy Jackson. I would be hiding in a 衬套, 布什 like Grover, whimpering, ''Don't kill me!'' Fictional characters from other books: I've always had a soft spot for Pip in Great Expectations. That poor kid gets a raw deal, but he makes the best of it.
What book would 你 use to squash a bug?
I'd never use a book to squash a bug. I'd grab a magazine. They make much better swatters.
Is there a book you've faked reading?
Every book I was ever assigned in high school. Of course later I became an English major in college and had to go back and read them all. Then I became an English teacher, so there was definitely some karmic punishment going on.
What book changed your life?
Aside from the aforementioned Lord of the Rings, I'd have to say Robert B. Parker's A Savage Place. That was the first private-eye novel I ever read, and it opened up the whole genre for me, from Raymond Chandler to Robert Crais. Percy Jackson's narrative voice was shaped a great deal 由 the wisecracking PIs of noir fiction.
Is there a book 你 wish 你 could once again experience for the first time?
Charlotte's Web, but I fear I'd have to be a child again to really appreciate it on a first read. I still remember the sense of wonder it evoked. ''Some Pig!''
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