Outlander loses its Emmy-nominated costume designer 

Say it ain’t so, Terry Dresbach: the Emmy-nominated costume designer of

announced via Twitter this weekend that she’ll be stepping down from the Starz drama.

Citing health issues and a desire to spend more time with family, Dresbach tweeted that season 4 marked the last time she will create the sumptuous and often historically accurate togs for the time-traveling drama. She also said she would “never do another show.”

Since S4 will be my last season, and our gang has safely arrived T Fraser’s Ridge, this seems like a perfect time.

— Outlander Costume (@OutlanderCostum) July 15, 2018

This is not easy. It is incredibly emotional and difficult. But my kids. They are 19 and 17. They were 14 and 12 when I went to Scotland for 3 mos.

Its been 6 years. I want to be with my family. I am spent, exhausted, worn out. Concerned about my health

I have worked hard to find someone to take over that I think is very gifted and talented

Thank you for joining me. It has been an extraordinary journey, sharing it with you. So fantastic.

Outlander, including one she just received last week. Her recent nod was the only one given to the Starz drama — something Dresbach couldn’t explain when talking to EW recently about her work during season 3.

“Trying to predict the rhyme or reason of it, you just can’t go there,” said Dresbach, who is married to

‘s executive producer Ronald D. Moore. “You take your compliments where you get them and you are grateful for them. Ron is a pro at this.

was certainly a seminal piece of television and everybody knows it but he never won anything for it. You look around and you see the company you are in when you don’t win. It’s okay! It’s really okay. You can’t go there. There’s nothing to be gained.”

As evidenced by her ongoing dialogue with fans via social media, Dresbach enjoyed how her costumes fostered passionate discussions about their historical accuracy.

“You’re going against what is expected historically. Back to

, people always changed their clothes every time they walked on the screen,” Dresbach told EW. “This show has always been dedicated to the idea that it’s going to be historically accurate. The truth is, people just didn’t have that many clothes. And what they did have, they reworked and they remade and they repaired and they patched. I just thought that was a really glorious, beautiful thing to see on camera. People repeating things over the course of 20 years. You see the darning, the patching, it’s such a rich and incredible history there. I remember when I first started on the show, somebody brought in an actual 18th century coat owned by an incredibly wealthy person. When you opened up the inside, it was all patchwork because even the wealthy kept their clothes for their entire lifetime. It’s a chance to look at history in a greater detail than we usually do onscreen. All these things challenge people’s assumptions. When you do that, you have to expect a little blowback. And it’s okay. That’s the opportunity for conversation.”

, Dresbach worked as the costume designer for shows like

Dresbach assured fans she will remain active on Twitter via her @OutlanderCostum feed.