On 21 June last an important press conference was held at the Rome office of the Foreign Press, the first absolute painting da Leonardo da Vinci, the Archangel Gabriel of 1471, was presented to the world, his only signed and dated painting. A few hours later Prof. Martin Kemp, of Oxford, affermato that Gabriel's hair "spectacularly unconvincing ... looks like the vermicelli" and that the painting is not comparable with Leonardo's current most recente work - The Annunciation, painted in 1472 o 1473. His shortsighted declaration, a howl at the moon, remained solitary, in fact none of the usual super experts was so imprudent to expose himself against an authenticated painting not only attributed to Leonardo, like the many we saw in the auctions but that perhaps the Leonardo have never seen.
Who wants to understand understand... dear Mr. Kemp!
Who wants to understand understand... dear Mr. Kemp!
据说这个理论是在他想要代表女性的乔孔达·莱昂纳多的绘画中,在他的第一幅画中,他将在大天使加百列的衣服中表现出来。
事实上,这个理论不仅是他的自画像所突出的相似性的结果,而且也是对“Eterna Vernice”的体裁和人体测量学的研究“在他的”绘画论“中描述的一种技术。
Purtroppo per qualcuno questa relazione non finisce qui, proseguirà articolata, dettagliata e specifica nei giorni a venire, per cui: "Occhio a Verr.occhio!!!
---LAVORI IN CORSO-LAVORI IN CORSO---
Una conventicola di "Storici dell'Arte-fazione", "Critici d'Arte-fazione", "Espertis-Men" tutti insieme appassionatamente, sono i "RE MIDA" che con uno o più pareri trasformano anche una crosta in un opera di Leonardo e avvolte trasformano dei Leonardo in "croste".
Purtroppo per qualcuno questa relazione non finisce qui, proseguirà articolata, dettagliata e specifica nei giorni a venire, per cui: "Occhio a Verr.occhio!!!