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This 隆世神通：最后的气宗 照片 might contain surcoat, 外套, 战袍, and tabard.
There on the floor lye a little boy,just laying there. Yue ran 前锋, 期待 and made the little boy lay in her arms. Though as she began to inspect him she found a burn right on his neck. She gasped but before she do anything healers came to take her away. She turned to Zuko to see his expression. It was nothing but pure horror and shock. The 下一个 日 it rained and was probably the most boring in the world. She could not visit Zuko because the healers told her they needed to test him and work on him. So there she sat, in front of my window watching the rain fall and just before it hit the ground turn to ice. I t was a magnifecent sight if 你 could see it turn to ice. Then she began to think. Was being with zuko right? Who burned the child yesterday? Could it had been zuko. What were the healers doing in zuko's room? . . . Did she belong here?
One of the things I noticed about 阿凡达 is the significance of the spirit disguises. Each disguise speaks volumes about the character using it and reflects their personality sort of like their bending styles.
I’ll start with the Painted Lady and Katara;
The real Painted Lady was a lot of things for the people of Jang Hui. She was a protector. A healer. A beacon of hope. She was a water spirit with assumably a gentle heart.
This is not unlike Katara herself. One of Katara’s key character traits was her hopefulness and the hope she instilled in other people. And in assuming the persona...
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I’ll start with the Painted Lady and Katara;
The real Painted Lady was a lot of things for the people of Jang Hui. She was a protector. A healer. A beacon of hope. She was a water spirit with assumably a gentle heart.
This is not unlike Katara herself. One of Katara’s key character traits was her hopefulness and the hope she instilled in other people. And in assuming the persona...
